01) Orquesta Argentino Galvan Vocalist Maria de La Fuente 1949.
02) El Patio de la Morocha, Orquesta Argentino Galvan, Vocalist Virginia Luque 1952
03) Tristeza Marina,Orquesta Mario Maurano, Vocalist Libertad Lamarque 1943
04) Uno.Orquesta Mario Maurano, Vocalist Libertad Lamarque 1943
This tanda is real difficult just because it doesn t have anything else to offer than emotion. It s like saying i dont have money but i have all the gold of the world!! Its quite difficult to be danced because extracting emotion without all the other helping elements of tango is the most difficult issue as the most teachers referred to this in theory but they teach steps in action confusing students. You have to be old to dance this tanda, or mature. It s easier when you have suffered a lot. Or drunk!! Its easy to get drunk in tango after a lot of tandas with rhythm melody and drama wisely selected as it has to do with timing. Then this kind of tandas should follow , just before cumparsita. This is the most proper time that all dancers thet theyknow what tango is are expecting in a milonga!
02) El Patio de la Morocha, Orquesta Argentino Galvan, Vocalist Virginia Luque 1952
03) Tristeza Marina,Orquesta Mario Maurano, Vocalist Libertad Lamarque 1943
04) Uno.Orquesta Mario Maurano, Vocalist Libertad Lamarque 1943
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